Best Songs of 2020: Top 50

Prior to the release of their posthumous debut album, Pop Smoke wasn’t really known for their slow-burning, laid-back tracks. But the creepy “For The Night” helped prove his versatility, as he held court between twin hurricanes stars Lil Baby and DaBaby, each of which features succinct displays of what makes them so singular in the game. running hip- hop scene. In the canon of great rap songs anchored by melancholy flute tunes, this one can sit comfortably alongside Future’s “Mask Off” and Drake’s “Portland”. – RD

54. The Weeknd, “In Your Eyes”

The elegant “In Your Eyes” demonstrates Michael Jackson’s profound influence on a generation of pop and R&B artists, and this longtime sidekick in particular. With a sparkling synth hook and a creamy, melodic chorus, “In Your Eyes” would have found its place in On the wall – with the saxophone solo (by Wojtek Goral on the original recording and by Kenny G on a remix) adding to the ’80s vibe. The Grammys may have snubbed The Weeknd, but “In Your Eyes” shows why he was one of the best artists of the year. – PG

53. Ava Max, “Kings and queens”

At first glance, Ava Max’s “Kings & Queens” is a toast to female synthesizer independence, complemented by a dazzling electric guitar solo and screaming cinematic video. But after its release, the stimulating track and theatrical visual took on a second life, becoming an unofficial 2020 Pride season anthem without a parade and reminding all kings and queens battling locked out isolation that – even with celebrations around the world being canceled due to the coronavirus pandemic – “baby, you don’t dance on your own.” – GR

52. Phoebe Bridgers, “Kyoto”

This heart-wrenching rocker, who acclaimed singer-songwriter Phoebe Bridgers says is based on her complicated relationship with her father, has lyrics so cinematic they could be adapted into a soulful, dreamy Sofia Coppola film. On a complex arrangement of 12-string guitar, horns, autoharp and mellotron, she masterfully untangles her tangled feelings about dad: anger and resignation (“I’m going to kill you / If you don’t beat me on it”) mixed memories of a happier past and ambivalence in the face of the desire to travel that she inherited from him. The lyrics are a mixture of edge and melancholy, but when the music goes up and Bridgers’ voice soars, the song leaves behind its emotional baggage. “I won’t forgive you / But please don’t tie me to it,” offers hope for reconciliation in a song that recalls Philip Larkin’s classic poetry line: “They fuck you, your mother and your father. ” — FD

51. Ariana Grande, “pov”

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